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In the mid-90s, Nashville’s music scene sustained under the weight of country, singer-songwriter, and Christian contemporary music with very few options for anyone under 21 who preferred punk, grunge, and indie rock. That was, until a little record shop with the mantra “no racist, sexist, or homophobic shit tolerated” appeared on the scene. Lucy Barks! (1996) chronicles the heyday of Lucy’s Record Shop, the all-ages music venue that put Nashville on the touring map for bands like Bikini Kill, Cat Power, and Brainiac and became a flashpoint for a growing alternative music and art scene of its own.

Lucy Barks! (1996)

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Lucy Barks! (1996)

In the mid-90s, Nashville’s music scene sustained under the weight of country, singer-songwriter, and Christian contemporary music with very few options for anyone under 21 who preferred punk, grunge, and indie rock. That was, until a little record shop with the mantra “no racist, sexist, or homophobic shit tolerated” appeared on the scene.

Lucy Barks! (1996) chronicles the heyday of Lucy’s Record Shop, the all-ages music venue that put Nashville on the touring map for bands like Bikini Kill, Cat Power, and Brainiac and became a flashpoint for a growing alternative music and art scene of its own.

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    Sourced from the original Stacy Goldate tapes

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  • Lucy Barks! (1996)
  • Lucy Barks! (1996)
  • Lucy Barks! (1996)
  • Lucy Barks! (1996)

 

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  • Lucy Barks!
    Lucy Barks!
    1 video

    Lucy Barks!

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    All proceeds from your purchase will be donated to the Oasis Center and Nashville Launch Pad, youth focused non-profits that embrace the Lucy's mantra: "No racist, sexist or homophobic shit tolerated."

    In the mid-90s, Nashville’s music scene sustained under the weight of country, singer-songwrit...

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